<b>Art</b> History Toys! Andy Warhol � <b>Art</b> History Ramblings

Another plushie I bought from Little Thinkers.  They seem to love dressing their artists in red.  By the way, the hair on its head?  Just as wildly messy when I purchased it.  Which puzzles me because his hair always looked relatively neat.  I do love his snooty pout.  Also, your eyes do not deceive you, they dressed him in dark jeans.

But why red glasses?  Seems an odd choice.

Categories: Andy Warhol, Art History Toys, Artists . Tags: Andy Warhol, plushies, toy . Author: Catherine Be the first to like this post.

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A Glance At The Enjoyable Field of <b>Art</b> History | <b>Arts</b> and <b>...</b>

Art history is really a appealing subject matter that visually and viscerally points the viewer through the eras and ethnicities worldwide. From ancient times to the current human beings have been painting, drawing and sculpting works of art that endure the test of time. Traditionally, art history has been based on the study of objects of art as they relate with the constraints of their era and genre. The most important arts are viewed as to be painting, sculpture and architecture, as the minor arts are considered to be ceramics, furniture and decorative arts. Art history is usually a fascinating subject that one can create a life long objective and still not manage to study every single work of art ever created. Art is pervasive in everyday life, and also by studying art from days gone by, we get a concept of the kinds of cultures and arenas the artist moved in.

Art history included the close understanding of individual art objects in an attempt to reply to traditional queries such as: What were the targets of the artist and were they met? What is its function visually? What significance does this painting/sculpture/etc communicate? What is the significance involved? And so on. Through this studying, art historians look to rebuild a part of the past through the eyes of any artist that lived hundreds, possibly even many thousands of years ago. Art historians also look to place current context on works of art. They seek a remedy to the object’s significance today and extended significance into the future. All things considered, what makes one piece of art superior to another? What makes gives one artist a Picasso level of fame while another has unsold canvasses every bit as ground breaking and revolutionary lining the walls of their garage?

Important to art history is an inquisitive nature. One must ask what led the artist to create the piece, was it born of imagination or commissioned by a wealthy patron. Hand in hand with the study of the history of art goes a solid understanding of the history of the cultures worldwide and the key movements in style and art and society through the years. After all, Andy Warhol is as specific to his 20th century Pop Art era as Leonardo DaVinci was to his turn of the sixteenth century Renaissance art era. Now, draw a line that connects DaVinci to Warhol. Does that seem ridiculous? With a solid comprehension of the history of art and the major movements and theories, it is not a ridiculous task at all.

The whole reasons for art history lies in the celebratory nature of lovely objects and their importance to not only the time period in which they were created -but also to the eras and periods both preceding and following it. The history of the world can be told through the timeline of significant art movements – a stroll through the superbly laid out Musee de Louvre in Paris takes the informal art fan through a history of art through the ages in the most fascinating of ways. Art history is a discipline with great breadth and depth that seeks to define culture through the art it has produced.

Tags: Enjoyable, Field, Glance, History

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SMU <b>Art</b> History Professor Gregory Warden Receives Award from <b>...</b>

Dr. P. Gregory Warden, University Distinguished Professor of Art History and associate dean for academic affairs at SMU’s Meadows School of the Arts (photo courtesy SMU)

Dr. P. Gregory Warden, University Distinguished Professor of Art History and associate dean for academic affairs at Southern Methodist University’s Meadows School of the Arts, received the Order of the Star of Italian Solidarity and the title of Cavaliere (knight) in the name of the President of the Italian Republic on June 4. The award was presented by Fabrizio Nava, the Consul General of Italy in Houston, at the Italian Club of Dallas as part of a ceremony celebrating the 65th anniversary of the Italian Republic on June 2 and the 150th anniversary of the Unity of Italy that was proclaimed on March 17, 1861.

The Order of the Star of Italian Solidarity was instituted in 1947 to recognize the achievements of those Italians and foreigners who had played a distinguished role in the reconstruction of Italy after World War II. It is now bestowed upon Italians and foreign nationals who have provided a meaningful contribution to the prestige of Italy while promoting friendly relations and cooperation between Italy and other countries.

In presenting the award on behalf of the President of the Italian Republic, Consul General Nava said, “Dr. Warden’s work in promoting the studies of Italian culture at Southern Methodist University contributed greatly to the success of the program ‘SMU-in-Italy.’ His projects of excavation in Italy have served greatly to advance the knowledge of the Etruscan people in the United States. He is indeed a great scholar in this field and an important ambassador of the Italian culture in this country.”

Dr. Warden, a native of Italy, is co-director of the Mugello Valley Archaelogical Project, an SMU-sponsored archaeological excavation at the Etruscan site of Poggio Colla, about 20 miles northeast of Florence. The site, first excavated from 1968 to 1972 by an Italian archaeology official, was reopened by Dr. Warden in 1995. He also established and oversees the Poggio Colla Field School, which brings university students from around the world to the site for six weeks each summer to conduct research. In 2009, Dr. Warden helped organize an exhibition of Etruscan art at SMU’s Meadows Museum, including findings from the Poggio Colla dig. It was the most comprehensive exhibition of Etruscan art ever undertaken in the U.S.

Dr. Warden joined the art history faculty at SMU in 1982 and teaches undergraduate and graduate courses on Etruscan and Roman art and archaeology, as well as introductory courses on the history of architecture. He was director of the SMU-in-Italy summer program in Florence, Orvieto and Rome from 1987 to 1998. He also chaired the Art History Division for six years, and has served as associate dean for academic affairs at the Meadows School since 1998. He has received multiple teaching awards, including a Rotunda Award for outstanding teaching from the SMU student body in 1985-6. He was named the 1996-97 Meadows Foundation Distinguished Teaching Professor and, in 2008, he was honored with the title University Distinguished Professor of Art History.

Dr. P. Gregory Warden, University Distinguished Professor of Art History and associate dean for academic affairs at SMU’s Meadows School of the Arts (photo courtesy SMU)

Art news posts by Press Release are items that come directly from museums, galleries and other sources. These posts have been formatted but not re-written.

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Hand-coloured with the history brush

The combination of the richness of colors and the atmosphere of the B & W photography, you can create eye-catching artistic effects. And with the history brush in Photoshop CS, it is easy.

I always take my original color images, even if the sole purpose of the assignment is to deliver B & W prints. Why? Because when you take photos in high color resolution, you have a full complement of options later in Photoshop. For example, you can always convert a copy of the photo to B & W, keep the original color intact. Or, as in this hack, you can mix the two formats.

For this task, I want the image to have the artistic sensation of B & W photography. I am also interested in playing with hand-colouring to produce an unusual effect. Taking the original photo color, I can use a little magic of Photoshop to combine these eyes.
For my image source, I chose a photo of night of the Port of San Francisco, as shown in the Figure.

The clock tower dominates the foreground, and you can see the Bay Bridge the distance offshore. Even if I like this photo in color, I see some creative options that may emerge by playing with it a little.

View of night of the colour of the Port of San Francisco

What I have in mind here is Desaturate the entire image, essentially converting a photo B & W I chose to desaturate instead of convert to gray levels, because this way I can keep all information in RGB. This information will provide me access to these channels later, when I'm ready to resume a few colors in the image.

First, convert you the image to B & W applying desaturated Image adjustments. Indeed, you now have a photo B & w. Rectifiez any level you like make pleasant tones to the eye. Now you are ready to begin the hand-colouring.

Choose history from the drop-down window. This opens the History palette, which allows you to keep track of what was going on. Then, in the tools palette, select the
History brush, as shown in the Figure.

Use the history brush to restore color to specific areas of the image

There are several occasions when you can single on a subject of a photograph and create an effect of style of staining skilled using your image editing program. Here I will make a crowded shot, taken through the cage at a zoo and some changes using Photoshop.

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It is a technique of base level where I will use the brush of history to paint color in the image, advanced options include working with layer masks or make selections and collage on layers that I will cover in future tutorials.

Using the history brush again click on by the side of the next State in the History palette that should be listed as Desaturate. This is the stage where the color has been removed to paint with the icon against this point will ensure the desaturation is reduced in the areas of color of overflow. Select one more small history brush and paint on overflow background colors to remove the color.

You could argue that if you did you would have a more precise work in paint colour stage earlier now bother, but I find that this method works very well for me. The best thing to do is to try both and that you would prefer to see.

Source: O'reilley. Portfolio Web site. Portfolio online

"portfolio online flash sites Web photo portfolios software photography websites website creative design Web sites.

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