Annual <b>Art</b> Battle set for June 25 in Vail | cam-ra productions

Eagle Valley Artists Alliance (EVAA) and The Eagle Valley Humane Society invite the public to join in Art Battle 2011. This year the art battle will be held at Solaris in Vail, on June 25. The event brings artists together for a three-hour competition, starting at 7 p.m. and ending with a public vote at 10 p.m. to determine first, second, and third place winners. The location of EVAA’s Art Battle changes each year.

“Spectators enjoy the opportunity to watch art being created,” said Tracy Gordon, EVAA Board Member. “They gather to enjoy the art, entertainment, and to cheer on their favorite artists. It’s a cultural opportunity you don’t often get in mountain towns.”

This year’s space will allow for approximately 12 to 15 artists to compete. Past year’s winners Dustin Zentz (2010) and Fernando Palomo (2009), will be back to defend their titles.

“It is incredible working alongside so many artists and feeling the creative energy in the room,” said Fernando Palomo. “By the end of the night, an amazing art show has been created filled with unique pieces. As an artist, I was filled with creative energy for quite some time after the competition. It was the topic of conversation for months after the event.”

Artists will be working in a medium of their choice, such as painting, mixed-media, sculpture and even tattoo art. The cash bar will be staffed by animal-loving bartenders from the Eagle Valley Humane Society. A live DJ will entertain guests. Appetizers and one beverage included with admission. Admission to the Art Battle is $25 at the door for adults and $5 for children. (Cash only; no credit cards accepted). All money raised through the Art Battle will go directly to the Humane Society and the Eagle Valley Artists Alliance.

For more information about Art Battle and EVAA go to www.eaglevalleyartists.com, email eaglevalleyartists@gmail.com or call 970-926-2732.

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The <b>Art</b> Of The Rural: The Farmers and Freaks of Greg Brown's Iowa

This weekend I had the pleasure of spending a few days in Riverside, Iowa, a small town located about twenty minutes south of Iowa City. My experiences in Riverside will undoubtedly lead to a few articles here and a few shared links on our Facebook page; though I've spent most of my life in the cities and small towns of the Midwest, my time in rural southeastern Iowa clarified how the organizational term "The Midwest" simply doesn't do justice to the varied cultures and approaches to place within these states.

One of the pleasures of my time in Iowa was having the chance to read The Des Moines Register, and the writing of Kyle Munson, a columnist who covers Iowa arts and culture with both clarity and personality. Mr. Munson is from Silver City (a proud fifth-generation Iowan); his columns draw from his family connections across the state and from his years as a music reviewer and a freelance feature writer. His goal is to report from as many communities as possible in the state, a mission that can be followed via the Register's interactive map.

Sunday morning I settled in with the physical copy of the Des Moines Register and found Mr. Munson's latest work, a review of the album release party for Greg Brown's Freak Flag:

Folk singer Brown, 61, has served as the unofficial voice of Iowa for decades. Dropping the words "rumbling" and "baritone" into the same sentence is almost a requirement when describing the powerful growl with which he has dispensed love songs as well as odes to the prairie. Yet Thursday night in Iowa City, he also showcased a playful falsetto during his party for "Freak Flag" at the Mill, the restaurant/bar that is one of his favorite old haunts.

At first glance, isn't Brown singing about freaks sort of like Lady Gaga singing about canning tomatoes?

Hardly. "Freak Flag," if anything, brings his career into sharper focus - putting a finer point on the rural hippie persona he has crafted through his rich, celebrated song catalog. It's almost a bookend to the more straightforward nostalgia of the title track to his album "The Iowa Waltz" 30 years ago (not performed Thursday). Back then he paid tribute to his "home in the midst of the corn" - more of an anthem for farmers.

Folks unfamiliar with Greg Brown's music may already know his sensibility, as he was the musical director A Prairie Home Companion for a number of years and the co-founder of the Red House roots record label. As Mr. Munson writes, "Iowa's recent history almost [could] be charted" across the songs in his recent set. Below I'll share a few of the tracks Mr. Munson suggests:

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Centennial Vase and Forbes Botanicals Lead $1+ <b>...</b> - Dallas <b>Art</b> News

An American Union Porcelain Works Centinnial Vast, crica 1876-1885 (photo courtesy Heritage Auctions)

One of a pair that brought $76,480 total in Dallas public auction

A Karl Müller-designed and signed Union Porcelain Works Centennial Vase, manufactured in Greenpoint, NY, circa 1876-1885, sold for $47,800 on Wednesday, June 1, 2011 to lead Heritage Auctions’ Signature® Decorative Arts & Design and Gentleman Collector Auctions at the company’s Design District Annex in Dallas. All prices include 19.5% Buyer’s Premium.

The auction realized a total of $1,018,813 on 586 lots, with 741 bidders vying for offerings, including strong international online buying contingents.

“The result on this vase is spectacular by any account,” said Tim Rigdon, Director of Decorative Arts at Heritage. “There are likely only about 16 of these vases known and we’ve seen none in better condition. Add impeccable provenance and history and it’s easy to see why an advanced collector thought enough of this piece to pay $47,800.”

The baluster-form Centennial Vase with sculpted North American bison head handles, portrait medallion of George Washington to either side, and a series of relief plaques at the base depicting scenes of America’s history during its first century, was created for the 1876 Centennial Exposition in Philadelphia.

“The design of this vase is based on a pair of earlier vases and measures 10 inches shorter than the original design,” added Rigdon. “This vase is one of a pair – the other example of which sold for $28,680 in Heritage’s May 21 Grand Format Americana & Political Memorabilia Auction – but is of particular significance as it’s incised with the designer’s signature under the shoulder of the relief of Washington.”

The only other known signed example is in the collection of the Metropolitan Museum of Art, and it has been suggested that the inscription, combined with hand detailing seen in this example and its mate, indicates Muller’s personal hand.

Selections from the Malcolm S. Forbes Collection also performed admirably in the auction, several gem, mineral and precious metal floral studies by Cartier leading the bidding. Two separate studies led the way with a lot of two hardstone, gold and rock crystal floral studies of Raspberry and Blackberry plants bringing $3,107, a mark that was matched by a trio of three hardstone, gold and rock crystal studies of  Strawberry, Jacob’s Ladder and Dutchman’s Breeches plants. A single hardstone, gold and rock crystal floral study of a Lily plant provided significant bidding fireworks as it rose to finish the day at $2,629.

Further highlights include, but are not limited to:

A pair of Diego Giacometti Bronze Chien et Faucon Lamps: Paris, France, circa 1965. Unmarked. The lamps, purchased in the early 1970s from a Palm Beach estate, are accompanied by a certificate of authentication issued by Denis Vincenot on January 21, 2011. Realized: $38,850.

A French Gilt Wood and marble Pier Table with Gilt Bronze Mounts: Unknown maker, probably Paris, France, circa 1840. Unmarked. Realized: $38,838.

Tiffany Studios Leaded Glass and Gilt Bronze Lamp: Tiffany Studios, Corona, NY, circa 1915. Realized: $15,535.

A Patinated Bronze and Stained Glass Pendent Lamp from a fixture from the National Farmer’s Bank, Owatonna, by Louis H. Sullivan and George Grant Elmslie, circa 1908: Manufactured by Winslow Brothers Company, Chicago, Illinois. This piece was originally one of four pendents hanging from a series of fixtures mounted above the teller’s station of Louis Sullivan’s acclaimed masterpiece, the National Farmer’s Bank of Owatonna, MN. The pendent was removed from the bank in the 1940 renovation. Realized: $13,145.

George Nakashima Cherry Credenza with burlap cloth lined doors: Manufactured at the Nakashima workshop in New Hope, PA, circa 1970. Marks: in pencil to back MCFADDEN, #3179. Realized: $11,353.

Heritage Auctions

Heritage Auctions, headed by Steve Ivy, Jim Halperin and Greg Rohan, is the world’s third largest auction house, with annual sales more than $700 million, and 600,000+ online bidder members. For more information about Heritage Auctions, and to join and gain access to a complete record of prices realized, along with full-color, enlargeable photos of each lot, please visit HA.com.

An American Union Porcelain Works Centinnial Vast, crica 1876-1885 (photo courtesy Heritage Auctions)

Art news posts by Press Release are items that come directly from museums, galleries and other sources. These posts have been formatted but not re-written.

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PremierLife.ca | Events | NXNE 2011: The <b>Art</b>-infused Takeover of TO

650 bands, 50 panels and 40 films in 7 days. What sounds more wicked than that?! The 17th NXNE Festival in Toronto is boasting all of the above in an effort to attract you—the pop-culture-inclined, festival-loving, kind-of-looking-for-something-to-do-because-summer-makes-you-adventurous twenty-something. NXNE started Wedensday, June 13 and is ongoing until Saturday, June 19 and it may be hard to believe, but there are over 700 attractions taking place non-stop until then.

You can hop on over to the website and peep the schedule or make your own, here: http://nxne.com/schedule#. Tickets are available here: http://nxne.com/tickets.

If you still need further convincing, take these publications’ word that NXNE is worth the trip:

“The best in new music and film from the indie scene.” BBC Radio 2 (UK)

“…simply too much cool stuff going on…” the Toronto Star

“ …(a) bar-hopping bonanza!” the Toronto Sun (who, apparently, knows just how to attract Western students…)

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Macrame Can Be A Kind Of <b>Art</b> Made By Knotting Cords | Abstract Shadows

Macrame is actually a kind of art created by knotting cords in endless combinations. Derived from the Arabic language, Macrame stands for fringe referred to an old practice of knotting a fringe to solid fabric and then continuing to make a pattern of knots. The technique has grown in popularity over the centuries with American and British Sailors attempting them out on long shipping hours. There is testimony that a competition was held between ships where sailors would decorate the rails, bells and wheels in macram© along with the ship that pulled into the port with the most effective decoration was awarded a winner. Despite its decline inside the late 50s and 60s, macrame projects have gained in popularity and are now utilised to manufacture a wide range of decorative and helpful products.

Macrame projects consist of several types of products ranging from jewelry to hammocks to decorations and plant hangers. Materials for example cotton twine, hemp, leather and yarn are utilised in manufacturing these macram© projects. Macrame projects for example jewelry are created through a combination of knows and different beads employing extremely thin wire like cords. Macrame projects for example earrings are lighter and are created both in clip-on and pierced ear styles.

Hammocks are one more kind of macrame projects created employing fundamental knots with a thick braided cord. They’re considered to be extremely powerful and may be created swiftly because of their open net look style. The hammocks are held together by brass rings while thick dowels are created to hang them in between trees.

Decorations for example wall hangings use a slightly more complex scheme of knotting in macrame projects. The wall hangings vary in sizes between narrow and wide and are put together employing medium sized cords and wooden beads. 1 of one of the most popular decorative macrame projects are animals. By employing a cord for example jute, animals may be given a extremely natural look in decorative macrame projects.

1 of one of the most popular macrame projects are plant hangers. Macrame project plant hangers consist of three sorts; single, double and numerous tiers. The single tier plant hanger holds only one plant, while the double tier holds up to two medium sized plants. The numerous tier plant hangers hold three or more little plants. These plant hangers are created employing medium sized cords and wooden beads.

The finest efforts in macrame projects aren’t bound by complex structures and nor do the selection of knots play a part inside the beauty of the end product. It is often great to continue with one kind of knot and a maximum of two. Simplicity, smooth transition of colors and textures and adequate spacing are the hallmarks of a satisfied macrame project.

Article by Desmond Bucciero who’s a personal financial expert. Check out his other contribution on financial services planning and financial planning advice today.

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SMU <b>Art</b> History Professor Gregory Warden Receives Award from <b>...</b>

Dr. P. Gregory Warden, University Distinguished Professor of Art History and associate dean for academic affairs at SMU’s Meadows School of the Arts (photo courtesy SMU)

Dr. P. Gregory Warden, University Distinguished Professor of Art History and associate dean for academic affairs at Southern Methodist University’s Meadows School of the Arts, received the Order of the Star of Italian Solidarity and the title of Cavaliere (knight) in the name of the President of the Italian Republic on June 4. The award was presented by Fabrizio Nava, the Consul General of Italy in Houston, at the Italian Club of Dallas as part of a ceremony celebrating the 65th anniversary of the Italian Republic on June 2 and the 150th anniversary of the Unity of Italy that was proclaimed on March 17, 1861.

The Order of the Star of Italian Solidarity was instituted in 1947 to recognize the achievements of those Italians and foreigners who had played a distinguished role in the reconstruction of Italy after World War II. It is now bestowed upon Italians and foreign nationals who have provided a meaningful contribution to the prestige of Italy while promoting friendly relations and cooperation between Italy and other countries.

In presenting the award on behalf of the President of the Italian Republic, Consul General Nava said, “Dr. Warden’s work in promoting the studies of Italian culture at Southern Methodist University contributed greatly to the success of the program ‘SMU-in-Italy.’ His projects of excavation in Italy have served greatly to advance the knowledge of the Etruscan people in the United States. He is indeed a great scholar in this field and an important ambassador of the Italian culture in this country.”

Dr. Warden, a native of Italy, is co-director of the Mugello Valley Archaelogical Project, an SMU-sponsored archaeological excavation at the Etruscan site of Poggio Colla, about 20 miles northeast of Florence. The site, first excavated from 1968 to 1972 by an Italian archaeology official, was reopened by Dr. Warden in 1995. He also established and oversees the Poggio Colla Field School, which brings university students from around the world to the site for six weeks each summer to conduct research. In 2009, Dr. Warden helped organize an exhibition of Etruscan art at SMU’s Meadows Museum, including findings from the Poggio Colla dig. It was the most comprehensive exhibition of Etruscan art ever undertaken in the U.S.

Dr. Warden joined the art history faculty at SMU in 1982 and teaches undergraduate and graduate courses on Etruscan and Roman art and archaeology, as well as introductory courses on the history of architecture. He was director of the SMU-in-Italy summer program in Florence, Orvieto and Rome from 1987 to 1998. He also chaired the Art History Division for six years, and has served as associate dean for academic affairs at the Meadows School since 1998. He has received multiple teaching awards, including a Rotunda Award for outstanding teaching from the SMU student body in 1985-6. He was named the 1996-97 Meadows Foundation Distinguished Teaching Professor and, in 2008, he was honored with the title University Distinguished Professor of Art History.

Dr. P. Gregory Warden, University Distinguished Professor of Art History and associate dean for academic affairs at SMU’s Meadows School of the Arts (photo courtesy SMU)

Art news posts by Press Release are items that come directly from museums, galleries and other sources. These posts have been formatted but not re-written.

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Gallery of the Barnes Foundation in the last days before moving to Philadelphia - Allentown Morning Call

Je suis à peu près de l'école de chiens jouer au Poker/Mugs de l'art, mais même, je savais que nous devrions visiter la Fondation Barnes avant il déménage son incroyable collection de chefs-d'œuvre de l'art de son origine, Merion.

La Galerie Merion, une fois ouvert uniquement aux invités, les étudiants et les auditoires encore être limité par réservation, fermera le 3 juillet, alors que la Fondation se prépare pour la transition à un environnement plus spacieux et plus accessible à Philadelphie. Ma femme et son cousin nous ont les billets pour mardi dernier et aucun trop tôt. Il y maintenant ne sont aucune réservation disponibles pour les non-membres avant la fermeture, bien qu'on me dit que vous toujours pouvez obtenir un billet si vous achetez une adhésion.

C'est une bonne chose, que mon cousin-in-law avait été là une fois avant, parce que j'aurais jamais conclu il. Nous avons ne vu aucun signe de la place sur l'Avenue de la ligne de la ville où elle a tourné et a commencé à patte à travers un quartier résidentiel. Soudain, il c'est, une île culturelle euphorbe entourée de maisons.

Nous sommes allés au moyen de deux points de contrôle de sécurité, payés $15 au parc dans le petit lot — l'alternative est rue quelques pâtés de stationnement — et à pied à l'entrée de la galerie pour notre réservation de 4 heures. À l'intérieur, nous avons été chargés de vérifier les sacs à main et toute autre chose que nous étions transportant, ne pas de prendre des photos et de rester derrière les lignes noires. Une fois tout ce qui a été terminé, nous marchions dans la première et la plus grande galerie — et ont été emportés.

La fin Dr Albert C. Barnes appartenant à une des collections plus importantes au monde de tableaux impressionnistes, postimpressionnistes et début moderne, et nous avons vu une gamme incroyable de Renoirs, Cezannes, Matisse, Picasso, Seurats, Van Gogh et bien plus encore que nous avons parcouru les 11 chambres ouvertes. Même si la Galerie étage est fermée alors que le Musée se prépare pour son déménagement, le volume de grandes peintures, meubles folk, céramiques et travaux de métal forgé à la main était écrasant. Nous aurions à visiter plusieurs fois plus vraiment apprécier tout ce qui est exposé.

Heureusement, nous avons loué un casque et les joueurs pour une visite autoguidée. Elles nous adressent aux peintures spécifiques, des salles et des murs, avec un aperçu des qualités particulières des peintures, comment Barnes a acquis les et les façons dont il organisée à contraste et à compléter les travaux il placés ensemble et d'expliquer comment artistes ont été influencés par un de l'autre. Ses choix — et son insistance que le placement ne soit jamais changé — a parlé des volumes de ses opinions fortes et souci du détail.

Après que nous avions terminé la visite autoguidée, nous sommes retournés, écouter les histoires de plusieurs autres peintures pour lesquels des descriptions avaient été enregistrée et envisagé d'autres favoris sur notre propre.

Plus tard, nous marchions le magnifique Arboretum 12 acres, qui restera après le déplacement de l'art. Laura Barnes, épouse d'Albert, a fondé une école d'Arboretum en 1940.

J'ai été familiarisé avec la Barnes principalement en raison de la controverse et snarls juridiques qui ont entouré il pendant de nombreuses années. Le déménagement à Benjamin Franklin Parkway de Philadelphie a été interprété par certains comme un complot pour ignorer la volonté expresse de Barnes.

Les administrateurs de la Fondation Barnes ont fait valoir qu'il n'a pas pu survivre financièrement sans bouger et que la nouvelle installation non seulement rendu possible une campagne de collecte de fonds de 150 millions de dollars dirigée par trois fondations caritatives mais améliorera accès du public à ces peintures et fournir une galerie d'exposition changeantes et plus d'espace en classe pour poursuivre les objectifs pédagogiques de Barnes. Ils disent que le nouveau bâtiment est identiques à l'échelle, la proportion et la configuration des salles dans la galerie originale, qui a ouvert en 1925. Un juge de comté de Montgomery a approuvé le déménagement en 2004 après une bataille juridique de deux ans.

Opposants affirme que c'est une trahison de la volonté expresse de Barnes — le dernier d'une série de cas dans lequel les dirigeants de la Fondation se rend à la Cour de modifier les conditions il avait énoncés dans son acte de fiducie — et pas nécessaire à la survie de la Fondation. Un documentaire controversé, « L'Art de la vole » a fait un arrêt populaire pour ces vues.

Je ne soutiennent que tout cela ici, sauf pour dire que, à mon avis, il sera impossible pour la Fondation de déplacer la collection dans un nouveau bâtiment à ce qui sera équivaut à une ligne de musée de Philadelphie et dupliquer l'expérience de voir ces peintures dans le contexte actuel.

C'est ne pas pour autant dire qu'ils ne sera pas capables de faire fonctionner ou de même que les avantages de l'accès public et de la stabilité financière de Barnes Foundation ne font pas une preuve solide pour le déménagement. Je dis juste qu'il ne peut être éventuellement la même — qui me rend doublement heureux que j'ai pu faire l'expérience de comme Albert Barnes prévu avant elle a disparu.

Bill.White@MCALL.com 610-820-6105

Commentaire de Bill White apparaît les mardis, jeudis et samedis

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Holbein (Hardcover)
By Hans Holbein

14 used and new from $4.89

First tagged "art" by Atomicfiber
Customer tags: art, colour, latin, holbein, hans holbein, oil, design, drawing, color, museum, jane roberts, miniatures

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